Fruits of the Cross by Kendrick Robert L

Author:Kendrick, Robert L.
Language: eng
Format: epub
ISBN: 9780520969872
Publisher: University of California Press

EXAMPLE 3.3. G.F. Sances, Sette consolationi di Maria (1670; A-Wn 16912), “Si, consolati,” f. 11.

EXAMPLE 3.4a–b. G.F. Sances, Sette consolationi di Maria, “E si rende soggetto,” f. 13.

By this point, the theology has begun to crowd out the parallels with Margherita’s state. The fifth consolation is Veronica with her Veil, the image if not the reality of Jesus. Before finally being able to kiss the simulacrum, the Virgin again complains to both Veronica and the Father of its insufficiency as a substitute for her Son. After all the gyrations, Minato provided a lyrical moment here, and Leopold himself, in line with his practice of inserting arias into others’ scores since Il Pomo d’oro, took the time to compose it. To underline the uniqueness of the relic, Minato gave a one-stanza aria to the saint as she displayed the image, which the emperor set with ritornelli for violino piccolo and a “lira cetrata,” possibly one of the first parts ever for an early viola d’amore (it is notated in untransposed C3 clef), thus timbrally reinforcing the unique nature of the Veil.59 Again, an overview of the intersections among consolations, poetic lines, and pitch gives a sense of this middle section’s symmetries and juxtapositions:

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